the Pipe and Tabor compendium

the Pipe and Tabor compendium

essays on the three-hole pipe

Europe

Spain
Catalonia (north-east Spain)

with thanks to all those Catalonian Taborers (flabiol players) who allowed me to link to their published images
map of Catalonia
flabiol without keys flabiol with keys

The pipe (flabiol); the player is a flabiolaire.  Three keys were added at the end of the 19th century to improve the range of sounds: Josep Plans came up with a fourth key in the 1950s.

The drum is 'tambori'.

"...The flabiol and the drum are possibly the most successful elementary formation in Catalan music.
Due to its extensive presence in time, without interruption since the 13th century"

fabiolflabiol  
1265 player1265 - 1299 manuscript 13th century 14th century14th century Tarragona Cathedral
13251325 manuscript f25r 13251325 manuscript 61r tile17th century tile

giants procession
giants processionGiants procession, woodcut

Barcelona carnival1870 Barcelona carnival

end 19th centuryend 19th century giants processionGiants procession, photograph
SolsonaSolsona, Catalonia 2015 giants procession2015 giants procession
 
 
1934 poster1934 poster poster2010 poster 3 players21st century players
  mixed gender groupmixed gender group woman playerwoman player  
2000

Teresa Mitjans and Carles Mas from Catalunya
playing the Flabiol and Bombo,
with Rafel Mitjans playing the Flabiol and Tambori.
Broad Camden, England, at Taborers Society Symposium
June 8th 2000
c Phil Day

2013 flabiol festival2013 flabiol festival
20th century painting21st century painting by Pollux -Paul Morris children at school21st century children at school [14 schools teach the fabiol in the classroom]
20182018 Vilanova de Sau 20192019 procession group of playersgroup
2019Isabelle Garcia paradeparade playersTeresa Mitjans and Rafel Mitjans
Carles taboring for dancersCarles Mas playing for dancing
 
cobla (band)

The band now consists of 11 players of mainly brass instruments including one pipe and tabor player. The latter plays a small drum
of about 10 to 12 cm diameter, of wood or metal, and sits in the first row on the extreme right of the band. [video here] The cobla
plays for the national dance. the sardana. The music always starts with a solo from the flabiol player.

   
playerflabiolaire cobla drumtambori  bandcobla band
early 20th centuryearly 20th century cobla 1910-20 band1910-1920 player 1927 player1927 player
1925 player1925 player mid 20th century playermid 20th century player poster1937 poster  
 
1946 player1946 player 1949 player1949 player 1960 player1960 player 1970 player1970 player 1983 player1983 player  
 
1985 cobla player1985 player

1988 player1988 player

Cathedral Square21st century, playing in Cathedral Square Barcelona 21st century21st century flabiol and tambori
 
2010 band2010 cobla band  
cobla at bull-fighting arena2012 cobla at bull-fighting arena 2016 cobla player2016 player 2019 2019  
1970's players1970's group of players  
cobla statuescobla statues at L'Escala, Costa Brava

close-up of handclose-up of hand of flabiol player

 

stick dances
playing for stick danceplaying for stick dance stick danceplaying for stick dance  
 
stone carvings
Ulldecona 14211421 Parish church of Sant Lluc d’Ulldecona 16th century16th century Old Royal Hospital
Xativa, Valencia
  palace of King Martin, Barcelona  
14th century stone carving 14th century Tarragona Cathedral
   
 
bagpipe with pipe and tabor
This tradition was dying out in Catalonia by the early 20th century but was brought back from Majorca and is now thriving again.
18961896 flabiol and bagpipe 19241924 playing for dancers 1931 sketch with bagpipe1931
drawing with bagpipesflabiol with violin and with bagpipes 19451945 Valencia
logo logo used by Adifolk Folklore Association 21st century21st century 21st century21st century Steve Rowley and Gillian Guest,
members of the Taborers Society in Vilanova
 
string drum
2013 Catalonia, Spain2013 Catalonia, Spain 20142014 string drum2014 string drum
 

[Extracts from the history of Catalan music at https://www.enciclopedia.cat/materia/musica?title=&page=857 ]

"All the riots of the old regime had been led by a musician, often a flabiolaire or bagpiper, as if it were the procession of authority and dance. The musician had an obvious social and, at the same time, emotional power, so the church condemned them and wanted to control them, because it needed them. That is why the popular musician who played the bagpipe or the flabiol was considered dangerous and spokesman for the devil at the party, of lust, of excess. In witch trials, the devil always plays the flabiol - or the bagpipe of the wild shepherds.....Many times the same musicians who play instruments conducted by the chapel master inside the church are rented under the name of cobla for street functions,

 

 


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